XXIII: Books of a feather-robed sage

In the sixth gyre of the Age of Four Wandering Moons:

A new mood stirs under those yellow leafed boughs
Which shake
Within the impressed abstraction of scrolls from both
17th centuries.
A spring of words overflows the closest drawn goal in steel—
Poetry generated in a wide range of free-given street noise,
Raising delicate hopes for the strength of the resolved city.

The first two lines of the books of a feather-robed sage
Written on a thousand rolls of silk kept for all good:
Elusive time immediately experienced is frequently unfair.
Question or believe, but light travels slowly within the grave.

From the tale of the count who has not yet named a successor:
The countess arrays her daughter in her most resplendent robes
Clear-cut as laquered satin, gently shaped as the lining
Of a seashell.

XX. The ironic peer

In the second gyre of the Age of the Glass Council:

The herald of a hideous winter, careless of what he brings,
Comes with stout rage strapped hard to the locked thunder
Of heavy machinery lumbering under the inland sea.
His rude marshal counts random correlations and predictions
In a given splatter of yolk, wine, grain and gravel.

A seafaring force from the cavernous island of adamantine
Confounds him with news from all emerging nations
And a patriot's blood well-spent in a blinding landscape
Of milk-white sand overflown with the divinity of myth.

The ironic peer, drawing a line of natural light
And simple color
With a cart map and tripod compass, will guide the flagship
Through unwilling sleep, driven outward into godlike hardship.

XVI. The noble dwarf's watchman

In the gyre vaunted of the Age of Eichenblon's Crater:

The pyre of the mob does not satisfy the vengeance
Of the excommunicated tribe of the Northern Deep.
The subtle blood of this breed becomes infirm
With smoke;
They tremble behind a line of unnatural towers
And draw their harmless swords against themselves.

After Orion's third sister marries the noble dwarf's
Watchman,
Her indifference becomes reluctance and regret.
They are parted as her carriage passes slowly
Through the gate of recent woe, never to meet again.

Opposite a vine-clustered chair two faces are depicted,
One in the forlorn grandeur of eternal marble,
The other in the dead shrewdness of sullen iron.

XIV. Falling salamanders on the wing

In the third gyre of the Age of Eichenblon's Crater

The bald standard-bearer marked by the severity
Of her injury:
She hides herself in manacles and loses the use
Of her hands
For the duration of the Winter of Stone Grass and
Brown Ice.
When the links of frost come unhinged,her grasp
Is re-built
By the clock-makers of a far city in the West.

While following a strange course through black mist
On the path to catastrophe on the mountain of shadows,
She is trusted by falling salamanders on the wing
With no gentle sentiment in their ponderous eyes.

An unseen hand digging between mortar and stone
Yields a ghost with a dragon's claw scribed upon his
Funereal bands.
The countersign is the facsimile of a scarlet ornament.

The Lorwolm Index

XI. A summer's marriage-feast despoiled

In the dialected gyre of the Age of the Middle Gohlguanarchy:

From a summer's marriage-feast despoiled in reel
And rout,
The knight stands aloof; he wears upon his shield
The puppet crown
And slays with his sword fifteen long-suffering captives.
In thirty long years he will defeat twelve generals,
Burn ten churches, demolish ten temples, and build
Ten cities.

His denatured bride, widely praised and most
Closely guarded,
Arises with his silver-bedecked allies to supplant him.
The perfect cavalier cannot comprehend this opportunity
For ambush;
In the absence of the sun, fountains spring like a cloud
Of fire.

In a great arc she brings down the cursed hilt of
His saber,
Forged in witch's oils burnt green, blue and white,
Which fractures his unwary skull but does not kill him.

X. Quaint and infamous traditions

In the itinerant gyre of the Age of the Yequirthed Crisis:

Quaint and infamous traditions prevail after
The quakes
Caused by the gravitational anomalies
Of the Y1 asteroids.
Sailors melt down the entrails of manatees for salt;
Soldiers carve hawthorn for bullets and scatter
Poppy seeds and amaranth before the thrones of infants.

Such is the fruitfulness of the original chaos:
Green child-like primates, clothed with flames,
Living along rivers and streams, bury their coffins
Filled with rich food and eat dirt from their tombs.

Gypsy bandits paint the thumbs of sleeping travelers
Held in place by a circle of rice paper and javelins,
Secured by their necks and shoulders with violin strings.

VIII. The towers of the humming world

In the fourth gyre of the Age of Eichenblon's Crater:

All things are parallel, yet many are askew,
And a new leaf will be locked fast into a skin
Of consequences.
Across the wine-soaked fields of chamomile and poppy
Stand and fall the towers of the humming world;
White crows feed on the seven spleens of the coastal
Wardens.

A dusty adder marks the grim man's mossy face
With the bloody token of the mercury ion.
Inscriptions of a greatly distant empire are drawn
On the linen cloth placed under him when
He is beheaded.

The air is replenished with various living creatures
Shown in orange-red weather on rising lake waters;
This intensely cold isthmus is not of the earth.

The phinnaftu of the Lorwolm

Each of the Lorwolm appears as a different phinnaft, a smallform, a form that is unlike their true form. A diminishment. Ga-ukogomen, who sometimes shows signs of vanity, says if he showed me his true form and then left me, I would kill myself with longing and loneliness. His most common smallform is a little gray bird, smaller than a sparrow, a kinglet. Other times he is a crow, but in miniature, no bigger than a finch. His vanity shows itself in the brilliant black perfection of his feathers; his claws, beak and eyes shine like onyx jewels.

Nihr Avna-attu's phinnaft is a warm, white mist which sometimes fills the whole room and her/his voice wanders within the mist. The voice is both feminine and masculine, or neither.

The smallform of Tsitao-utna is invisible, but her herald, her sigil, is a small blue bowl. When she wishes to speak to me, I take the bowl from its place in the cupboard and set it on the table and put a pencil beside it. Her voice comes from a place 14 diumalks above the bowl. A diumalk is approximately a half-inch, according to Tsitao-utna. She was about to tell me what a gyre is but Ga-ukogomen told her to shut up, in an angelic kind of way, with a very loud sound like glass breaking, like a thousand windows breaking. I had a ringing in my ears all day afterwards.

Tsitao-utna can remember the name of her last mortal life: Claudia. Ga-ukogomen and Nihr Avna-attu are much older and say they do not remember their mortal lives. Ga-ukogomen once told me there are tasks angels cannot do if they have not forgotten their mortal lives. Yes, angels have tasks: they are always learning something new. Ga-ukogomen told me that the learning never ends. Tsitao-utna said she thinks the learning will end but it will take a very long time.

The Elder

Ga-ukogomen is the oldest of the Lorwolm, called the na-awult, which means the elder. I once asked him how old he was. He said he is forty thousand hundred gyres younger than the Arc of Lauma-athorin. I asked him what is the Arc of Lauma-athorin? He said it is a galaxy whose light will not yet reach the earth for three hundred gyres. I told him I do not know what a gyre is. I told him that his answer did not help me understand. He spoke a sound that was not a word, not a sound a body can make, an angel-sound. It was like a shrug. It meant, "So what? Not my problem."